Hello everyone!
In this article, I want to showcase my version of Hector by Young Miniatures.
I spend a lot of time on the face and eyes, only by them being barely visible on the pictures due to how the helmet covers the face from any source of light. The inside of the shield is also painted to look like real wood. Sadly the body covers most of it so you can't really see it on the photos.
I hope you like him! If you do, feel free to head over to Putty&Paint and leave me a vote. 👍
Showing posts with label 110 bust. Show all posts
Showing posts with label 110 bust. Show all posts
Wednesday, July 25, 2018
Showcase: Achilles
Hello everyone!
In this article, I want to showcase my version of Achilles by Young Miniatures. I'm not sure if I made the right choice making the photographs on a black background, but it looked better than on a white background.
I painted the armor to look like hammered bronze, trying to get close to the reference snapshots I took from the movie. The shirt underneath is painted as a black, semi-reflective leather.
I hope you like him! If you do, feel free to head over to Putty&Paint and leave me a vote. 👍
Thursday, May 3, 2018
How to quickly paint faces
Hi guys (and girls)
It's been way too long since I've posted anything. Reasons for this are family stuff, work stress, changing jobs etc... I just really hope I can post more frequently from now on.
In this article, I would like to cover a trick I recently learned/discovered for painting faces.
It has to do with subdermal colors in the skin. I'll show the pictures first, and explain the reason why later on.
I began by pre-shading the head with black and white paint. This will give you a good indication of where your shadows and highlights should be. If you paint transparently enough, the shadows and highlights will shine through your paint job, but even if you paint more opaque, making a picture of this step will be a good reference!
It's been way too long since I've posted anything. Reasons for this are family stuff, work stress, changing jobs etc... I just really hope I can post more frequently from now on.
In this article, I would like to cover a trick I recently learned/discovered for painting faces.
It has to do with subdermal colors in the skin. I'll show the pictures first, and explain the reason why later on.
I began by pre-shading the head with black and white paint. This will give you a good indication of where your shadows and highlights should be. If you paint transparently enough, the shadows and highlights will shine through your paint job, but even if you paint more opaque, making a picture of this step will be a good reference!
I loaded my airbrush up with some red paint and sprayed the top half of the face. Make sure to cover the cheekbones, nostrils and the tip of the nose.
After that, I got the blue paint ready. I used this to spray the bottom half of the face. I also sprayed a little blue over the red in the eye sockets, creating a dark purple.
With the red and blue colors in place, I continued to paint the face as I usually would. I used the Scale75 skin colors for this.
You can see that the cheeks and the nose bleed through some of the red color and that the chin has a light blue tone. This gives the illusion of rosy cheeks a five'o'clock shadow. After the skin tones, paint the lips with a red-ish/pink-ish color and paint a little bit of texture on the lower lip. Also highlight the eyelids, nose, upper lip and any wrinkles if they are present on the model, and the face is pretty much done!
Now onto the reasons why...
The central part of a face has fine blood vessels carrying oxidized (red) blood to the surface of the skin. The chin, especially on a black-bearded man, appears blueish due to microscopic hairs. Women and children don't have a five'o'clock shadow but in the area around the lips are relatively more veins carrying deoxidized blood to the surface. Some artists paint this as a green color to compliment the color of the lips.
Traditionally, there is also a yellow or white zone of the face. This is the forehead that doesn't have as many muscles and blood vessels and thus doesn't have as many red blood cells.
I hope you liked this little tutorial and that it helps you. If you have any questions feel free to post them in the comment section below.
Thank you for reading and until next time! Peace ✌
Thursday, March 1, 2018
Showcase: Kahl-Agul
'lo all 😊
It's been a while, hasn't it? Well, that has a lot of reasons that I won't bother you with. I pretty much finished my Kahl-Agul bust by Karol Rudyk Art to the point where I feel comfortable showcasing it. The paintjob itself has been done for a while and I'm sure a lot of people already seen it, but I was looking for the perfect plinth and how to create the blood effect I want envisioned when I started the project.
Apparently, getting an oval-shaped plinth is hard, so I had to look for a custom job. My friend Pete Watson sorted me out with one, and this enabled me to continue, and finish this project.
Another challenge was the blood effects. It is absolutely terrifying to cover your model with red-inked water gel. Luckily, it turned out pretty gruesome and awesome.
On with the pictures:
This is truly a creature you don't want to encounter in the dark! Eventually, I might finish up this bust with some blood streaming from its open mouth. It needs some saliva at least, but blood would make it more gruesome.
I really loved painting this bust! I will do my best to keep you guys updated on projects!
Cya next time!
It's been a while, hasn't it? Well, that has a lot of reasons that I won't bother you with. I pretty much finished my Kahl-Agul bust by Karol Rudyk Art to the point where I feel comfortable showcasing it. The paintjob itself has been done for a while and I'm sure a lot of people already seen it, but I was looking for the perfect plinth and how to create the blood effect I want envisioned when I started the project.
Apparently, getting an oval-shaped plinth is hard, so I had to look for a custom job. My friend Pete Watson sorted me out with one, and this enabled me to continue, and finish this project.
Another challenge was the blood effects. It is absolutely terrifying to cover your model with red-inked water gel. Luckily, it turned out pretty gruesome and awesome.
On with the pictures:
This is truly a creature you don't want to encounter in the dark! Eventually, I might finish up this bust with some blood streaming from its open mouth. It needs some saliva at least, but blood would make it more gruesome.
I really loved painting this bust! I will do my best to keep you guys updated on projects!
Cya next time!
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